My animation and live-action filmmaking is a mythopoeic practice reappropriating personal and cultural narratives. I believe the narratives we construct create our experience, projecting reality from us rather than capturing it into us like a camera.
I view animation and filmmaking as an expression of interior reality, and my films are attempts at reconstructing reality itself by unmasking and reconfiguring these stories. I think of the animation camera like an inverted and more honest microscope. Instead of assuming objectivity is the road to truth, this microscope projects the truth outward and subjectively from within the mind.
